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SC 24
SC 25
SC 26A
SC 27
SC 28
SC 29
INT. ABANDONED WAREHOUSE — NIGHT
The space is cavernous, filled with rusted machinery and shadows. A single work-light casts a harsh cone across the concrete floor. MARA (40s, weathered, sharp eyes) moves along the far wall.
MARA
(low, controlled)
They were here. Forty-eight hours ago.
The crates are gone, but the smell isn't.
DETECTIVE COLE (30s, rumpled coat, eyes scanning everything) steps over a broken pallet. His flashlight sweeps the darkness.
COLE
How many units do you figure?
MARA
Enough to move an army.
Or end one.
Cole stops. His light catches something on the floor — scratches. A pattern. He crouches.
COLE
(to himself)
Well, hell.
Mara crosses to him. She studies the marks. Her expression does not change but her jaw tightens.
MARA
Get the photographer. And keep this off the radio — especially off the radio.
📎 Continuity Reference — Scene 24
EXT. WAREHOUSE LOADING DOCK — CONTINUOUS
The loading dock is empty save for a beaten pickup truck, engine still ticking. Rain begins to fall.
COLE
You think Reyes knows?
MARA
(beat)
Reyes is the reason we're asking.
A sound. Both freeze. Mara's hand goes to her side. Cole kills the flashlight.
COLE
(whisper)
East door.
They move as one — practiced, silent. The rain intensifies. Lightning. In the flash: a FIGURE at the east door, stock-still.
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